Spring, by Konstantin Pankox, 1940, Public Domain

Imaginatio is the Star in Man, the Celestial or Supercelestial Body (A Lexicon of Alchemy, by Martin Rulandus).

We don’t realize what is available to us. We go through our daily lives, often extremely depressing, usually focused on material things. We forget that all we need do is close our eyes and enter another world. The Imaginal is a vast landscape, an immense cosmos where nothing is impossible. It is not limited by physical laws, the constraints of logic, or space-time constructs we are accustomed to.

One of the most significant characteristics of this realm is that within it the things that one encounters—and they are very specific things indeed, ranging from rocks and trees to buildings and entire cities have about them a distinctly personal character. As Corbin says, the pronoun best used when describing the specifics of this dimension is not “what” but “who.” The imaginal dimension, he wrote, is “a universe for which it is difficult in our language to find a satisfactory term.” It is “an ‘external world,’ and yet it is not the physical world. It is a world that teaches us that it is possible to emerge from measurable space without emerging from extent, and that we must abandon homogeneous chronological time in order to enter that qualitative time which is the history of the soul” (Recovering a Visionary Geography, by Ptolemy Tompkins).

One cannot rationally explain such things. When the experience comes, however, there is a deep sense of meaning and emotion. This is the nature of Truth, Aletheia, if you will. With such truth comes, not necessarily enlightenment, but a sublime sense of satisfaction.

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